When Kodak quietly and surprisingly announced Kodacolor 100 and 200 at the end of September, analog photographers were rightly excited. However, the most interesting part of the announcement was perhaps not the new film at all, but the dramatic shift in how Kodak is selling film. This change is continuing, as Eastman Kodak is now selling Kodak Gold 200 and Ultramax 400 directly to retailers, with new, retro-inspired packaging in tow. [Read More]

PixyBeam, developed by Innoscend, introduces a new way to experience photography, free from the constraints of traditional displays. Instead of being limited to a small screen or a glossy TV, PixyBeam projects photos and short clips directly onto walls or ceilings, creating immersive, 3D-like slide shows that fill the room. [Read More]

A court in London has largely sided with Stability AI in its legal battle with Getty Images, marking a significant ruling in the ongoing debate over how copyright laws apply to generative AI. [Read More]

Less than 48 hours before its highly anticipated reveal, Canon has shared a fresh teaser image of its upcoming camera. [Read More]

The Professional Photographers of America (PPA), the world’s largest nonprofit photography association, has launched PhotoVision. This new streaming platform brings together more than 2,500 videos and 1,700 articles focused on the art, business, and inspiration of photography. [Read More]

DxO is rolling out a trio of significant software updates simultaneously for its flagship products — DxO PhotoLab, DxO PureRAW, and Nik Collection. Each update focuses on the core competency of its respective program, with the company calling them “major enhancements” aimed at improving workflow integration, creative control, and overall image quality. [Read More]

A professional photographer is taking legal action against a university coffee shop, alleging that it used her photo of a blueberry muffin without permission. [Read More]

Looking at paintings of historical figures, it can be difficult to know whether that’s what they really looked like, or whether the painter was being interpretive — perhaps pressured by the subject. [Read More]

Photographer Chris McGinnis has never taken a macro photograph in the field with a tripod in his entire career as an OM SYSTEM ambassador. The reason is simple: mobility trumps stability when you understand the workarounds. [Read More]

This past week, Adobe added several new features to Lightroom Classic that are powered by AI. My knee-jerk reaction to any new AI feature is immediate skepticism, but after looking at the updates, the additions all look like welcome improvements. [Read More]